Noise: I protoyped a rangemaster (OK, sue me) with carbon resistors and an NTE158 Germanium
transistor. It did actually sound OK, but it was very noisy. Reducing the collector resistor reduced
noise, strangely enough. For the production version I used metal film resistors, and this did reduce
noise. Swapping to a different NTE158 also reduced noise. Finally I used a different part number
transistor which had more treble and less noise. There was a big difference in noise between the
first and final version, so start with a selection of Ge transistors, use a transistor socket, find the
best sounding one, and tweak the resistors according to R.G. Keen's article.
I did some final tweaking by ear using a transistor amp to get just the right amount of clipping.
Mix and Match: The Rangemaster does not have a high input impedance, so you can get more
treble by placing a high impedence buffer circuit before it. Place an average Ibanez / Boss / DOD
pedal with it's effect "off" beteewn the guitar and Rangemaster to demonstrate this. A Fuzzface in
front of the Rangemaster give a variety of fuzztone/octave effects, a Fuzzface and Rangemaster in
the same box with two stomp switches would be fun. You could sell such a pedal (Dallas
FuzzMaster).
Keep it clean: The Rangemaster makes an vacuum tube preamp grid distort like crazy when you
turn up the "Boost". Using a clean transistor amp you can get mild distortion on the high notes,
depending on the input biasing resistors. You may prefer to adjust the resistor values by ear to get
no clipping, and rely on a tube amp for distortion. I would guess that the Rangemaster wasn't
meant to clip at all, since it was sold as a treble booster. Rory Gallager (interview with Vivian
Campbell) said of his old Vox AC30: "It wouldn't be bright enough; therefore I used the
Rangemaster", and Brian May (on the "Hot Licks" video) said he used a one transistor treble
booster to cut the low end.